“Get Bodied: Inverting the Witch to Gain Back the Commons”, Akers, T., Bivona, K., Smith, Q., Newton, C., & Zuniga, X. (London, UK Routledge) (forthcoming)
“Salon Style: A critique style for self-awareness and proactive learning”, Do We Have To Call It Critique: Reimagining the Traditions, Mariah Doren and Elissa Armstrong eds. (Bristol, UK: Intellect Books) (forthcoming)
“Get Bodied”, Unsettling Feminist Curating, Lara Perry and Elke Krasne eds. (London, UK: Routledge) (forthcoming)
“Diving with Davis: A review of Noah Davis’s artistic legacy from The Underground Museum to David Zwirner Gallery”, Espacio Fronterizo, Winter 2021, Emily Chow-Kambitsch ed. (Santiago, Chile: Espacio) https://espaciofronterizo.com/borderland/
“Seeing Invisible Mxn: A Review of Malcolm Peacock’s Invisible Mxn”, SEQUTUR, Vol. 6(2), Spring 2020. https://www.bu.edu/sequitur/volume-6-issue-1-re-vision/
“Centerfolds”, Tool Book: Workbook, Volume iii, https://www.toolbookproject.org/
“Neon Light Fetish: Neon Art and Signification of Sex Work”, Visual Culture and Gender, Vol. 12, Hyphen-Un Press, September 2017. http://vcg.emitto.net/index.php/vcg/article/view/107